Wednesday, July 16, 2025 will be forever etched in the annals of Original Pilipino Music. On that steamy summer evening, IV of Spades—Zild Benitez, Blaster Silonga, Badjao de Castro—hit fans like a lightning bolt with their shock announcement: former frontman Unique Salonga, whose departure in 2018 shook the indie-pop circuit, has returned. “Aura,” the quartet’s first offering since 2020, dropped unannounced on YouTube and immediately crashed streaming charts across Asia. Comments flooded in: “We never saw this coming” and “OPM will never be the same,” capturing the collective gasp of a generation that watched the band evolve from garage-band phenoms into bona fide superstars.
Founded in 2014, IV of Spades detonated the Filipino music scene with psychedelic-laced guitar riffs and vintage grooves that felt both nostalgic and unprecedented. Their 2018 breakthrough hit “Mundo” declared them heirs to a legacy that Bitcoin hasn’t touched: pure pop-funk elation. Yet when Unique Salonga exited the band in late 2018 to pursue a solo path, many wondered if the magic had been lost forever. The trio soldiered on, releasing a self-titled EP and exploring new sonic territories, but the void of Salonga’s hauntingly smooth vocals and magnetic stage presence loomed large.
Then came the shock of 2020: IV of Spades announced an indefinite hiatus. Pandemic lockdowns, individual side projects and the sheer exhaustion of chasing perfection seemed to usher the band into silence. Fans clung to scraps—live session snippets, unpolished demos, cryptic social-media posts—hoping for a sign. And now, with “Aura,” that sign has arrived in blazing neon: Salonga’s instantly recognizable tenor weaving through swirling synths, propelled by Benitez’s tight bass lines, Silonga’s twangy riffs and de Castro’s funk-infused drum patterns.
Musically, “Aura” feels like a fever dream you can dance to. From the first downbeat, the song lurches forward on a kaleidoscope of Hammond organ flourishes, wah-pedal swirls and kick-drum punctuation that harkens back to ’70s psych-funk. When Salonga’s voice unfurls—rich with echo and reverb—it intertwines with layered backing vocals that pulse like an otherworldly heartbeat. The chorus erupts into a chantable hook, “Can you feel my a-u-r-a?” echoed by hand-clap samples that invite listeners into a live-studio party atmosphere. Production choices—tape saturation, Mellotron accents, subtle vinyl crackle—seal the illusion that you’re hearing an unreleased relic, unearthed from a lost era.
Critics have been unanimous in their praise. Early reviews hail “Aura” as “a masterclass in modern-retro fusion” (Rolling Pin Manila) and “the triumphant return of OPM’s most visionary act” (Pinoy Pulse). Within hours, fan-made lyric videos appeared, along with reaction montages from Jakarta to New York. On TikTok, #FeelMyAura challenges soared, with users trying to mimic Salonga’s signature vibrato and the band’s synchronized strut-dance, which looks equal parts swagger and swagger-adjacent. Ticket-scalpers are already salivating at the thought of upcoming shows.
Behind the scenes, the reunion was nothing short of cinematic. Insiders reveal that in March 2025, Benitez, Silonga and de Castro covertly approached Salonga at a mutual friend’s studio session. What began as a casual catch-up swiftly morphed into a late-night jam of old favorites. The chemistry crackled; the potential of a new IV of Spades era became undeniable. By April, demo versions of “Aura” had circulated among the four, and by May, they were holed up in Oslo’s Nydalen Studio, defying time-zone oddities to lay down vocals, guitars, bass and drum parts in marathon sessions that lasted until dawn.
IV of Spades released a short statement alongside the single: “It feels like coming home. ‘Aura’ bridges our past and future, blending all we adore about music—soul, rhythm, melody—into one shared moment. We wrote it together, we played it together, and now we live it together.” No hint yet of a full album, but insiders whisper of at least six more tracks completed in Oslo, spanning funk, soul-pop, and an unexpected foray into electronic dub. Rumors of collaborations with global producers—Pharrell Williams and Tame Impala’s Kevin Parker name-checked—hint at ambitions that stretch far beyond Manila’s city limits.
This comeback also carries deeper resonance for the OPM community. In a landscape where digital singles and viral shocks often trump artistry, IV of Spades champions authenticity and musicianship. Their return evokes pride: a homegrown act refusing to dilute its identity, blending Western influences with Pinoy heart. Industry watchers note that the reunion could catalyze a broader resurgence of band-driven projects across Southeast Asia, inspiring homegrown acts from Vietnam’s indie scene to Malaysia’s funk-pop crossover bands.
Yet questions remain: Will the chemistry that once made them so special translate onto the world’s biggest stages? Can “Aura” sustain its initial buzz long enough to anchor a global tour? And how will the band balance renewed creative friction with the expectations of tens of thousands who’ve waited years for this moment? If the first reaction is any guide, fans are ready to forgive imperfections in exchange for live-show electricity and the chance to witness Pinoy rock history in the making.
Looking forward, the band has teased festival appearances in August and September, with dates rumored in Singapore, Hong Kong, and even London’s O2 Academy. Merchandise pre-orders sold out in under 24 hours, and a limited vinyl pressing of “Aura” featuring glow-in-the-dark artwork has collectors scrambling. Social-media channels overflow with fan art, lyric tattoos and homemade dance routines, forging a community that feels as united as ever.
In retracing their steps from 2018’s split to 2025’s renaissance, IV of Spades has crafted a love letter to fans and a manifesto for their next chapter. “Aura” doesn’t just mark a return; it signals a rebirth. By daring to revisit their roots while reaching boldly into uncharted sonic realms, they stake their claim as OPM luminaries destined for international acclaim. As the opening chords reverberate across speakers worldwide, one thing is clear: the Funk-Rock renegades are back, and they’ve never sounded more alive.